• Just at the glance of the comment, your boss might look wicked. But the question is are you doing enough for the company?
    What's your input in the... company?
    What value are you adding to the family?
    You need to consider asking yourself all these questions. You must be very sincere to yourself for the answers you provide. If the answers to the questions are negative, then you need to add value to yourself by growing in your business (what you do). If the answers are positive, then you must consider enquiring from your boss. I believe there are better reasons to the decision.
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  • Time to polish the resume and start interviewing. The company is clearly in trouble

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  • Two years without stable work can affect confidence, even for capable people. The fact that you kept applying and still showed up for interviews says... you have persistence — and that matters more than most people realize.

    A practical way forward is to work on two things at the same time:

    rebuilding momentum and confidence
    improving the job search system itself

    Here’s a structure that usually helps people get unstuck:

    Keep your mind sharp

    Treat unemployment like a temporary training season, not “waiting time.”

    Spend 1–2 hours daily learning or practicing something connected to your field.
    Use free platforms like:
    Coursera
    LinkedIn Learning
    freeCodeCamp
    Google Career Certificates
    Read industry news or watch tutorials regularly.
    Build small projects, volunteer work, or freelance samples to keep skills active.

    Even one small completed project can help restore confidence.

    Improve interview performance

    Bad interviews usually improve with repetition and preparation.

    Try this:

    Write
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  • Wow. 2 years. Memories of Covid were still fresh back then. But opportunities and additional ways of building income were sprouting up all over as... well. Zoom became the new office! hahaha
    It also became easier to get in rooms (like this) and surround yourself with positive, forward-thinking people nationwide. I found it more enjoyable and financially profitable to work for myself! Don't give up on yourself. Just surround yourself with folks who will believe in you, more than you believe in yourself. :-)
     more

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  • Author

    6h

    Thank you all for your responses. I appreciate!

  • Author

    6h

    I mistakenly deleted a comment I wanted to reply to. How do I recover it? This platform is new to me 😩

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  • U could try to seek feedback using the mode of communication that was used to invite you for the interview. If it was by email, then send an email to... findout. If phone, then call back. more

  • I’m a recruiter and I would suggest that you email the recruiter or hiring manager instead of calling, therefore, you’re showing interest while not... unintentionally cutting into another candidate’s interview time. The email would show your interest and also as a small reminder to the hiring person that you’re available for work. Usually if a recruiter hasn’t reached out to you within a two week time period or haven’t followed up with you on the final interview that you’ve had it may mean that they are still actively interviewing, narrowing down their decision, or that the role was extended to another candidate.  more

Boot Polissh Films' Kanwalpreet Kaur on her Mother's wisdom


This Mother's Day, we reached out to a select group of leaders and changemakers across the industry to celebrate the woman who shaped them first. We asked them to move beyond résumés and milestones and share one indelible lesson from their mother -- or a mother figure -- that continues to guide them in work, life, and the way they lead. In this special feature, Kanwalpreet Kaur, Executive Producer... at Boot Polissh Films, offers an intimate glimpse into the quiet wisdom and strength that shaped her. Read on.

My mother is my fiercest advocate. Neither of my parents raised me to fit a traditional domestic mold; I was never taught that a woman's worth should be measured by her "homely" skills or her ability to run a household. Instead, my mother encouraged me to be bold, independent, and unapologetically myself.

She is the ultimate testament to the fact that it is never too late to begin again. After twenty years as a housewife, she reinvented herself as a revered dietician. Because my father was a shippie and spent months at sea, she bore the immense labor of raising two children entirely on her own, all while finding the energy to fight for consumer rights. Her journey is living proof that with enough heart, any obstacle can be dismantled.

Perhaps her greatest gift to me, however, is the virtue of patience. Watching her navigate life's hurdles with grace and kindness taught me that patience isn't passive -- it's the ability to stay calm and poised through anything life hits you with.

I've carried this lesson into both my personal and professional life; my resilience and my steady hand are a direct reflection of the patience she modeled. I owe my ability to stay the course, no matter the challenge, to her example of never giving up.
 
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Amma Living's Apoorva Agarwal on her mother's wisdom


This Mother's Day, we reached out to a select group of leaders and changemakers across the industry to celebrate the woman who shaped them first. We asked them to move beyond résumés and milestones and share one indelible lesson from their mother -- or a mother figure -- that continues to guide them in work, life, and the way they lead. In this special feature, Apoorva Agarwal, Co-Founder, Amma... Living, offers an intimate glimpse into the quiet wisdom and strength that shaped her. Read on.

One of the biggest lessons I've learnt from my mother is the importance of being adaptable and resourceful. She taught me that being too rigid in life can stop you from growing. You can stay rooted in your values and principles, but still learn to adjust, evolve, and move with life. She has always been incredibly dynamic in the way she handles situations and people.

She is a homemaker and has this remarkable ability to figure things out, make things work, and hold everything together with strength. Honestly, she has always been my first "Google." What I've learnt from her is that you don't need a title, a boardroom, or a position of authority to be truly influential. Some of the most powerful lessons in leadership come from the way you live.

To my Mother -- Maa, you are the rock that keeps me grounded and the wind beneath my wings when I need courage to fly. You've taught me empathy, respect, resilience, and the importance of family, values that shape every part of who I am today. Thank you for showing me that strength can be both gentle and unwavering at the same time.
 
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Beyond360 Publicity's Aditya Kaul on his Mother's wisdom


This Mother's Day, we reached out to a select group of leaders and changemakers across the industry to celebrate the woman who shaped them first. We asked them to move beyond résumés and milestones and share one indelible lesson from their mother -- or a mother figure -- that continues to guide them in work, life, and the way they lead. In this special feature, Aditya Kaul, Co-Founder, Beyond360... Publicity, offers an intimate glimpse into the quiet wisdom and strength that shaped him. Read on.

My mother is one of the most loving and caring individuals I have ever known, and the lessons she has given me are far more valuable than anything I could have learned from a textbook. One of the earliest and most enduring gifts she gave me was the power of patience -- the ability to pause, breathe, and understand that everything and everyone has its own pace and season. That single lesson has shaped the way I move through both life and work.

She also taught me empathy in the truest sense -- to meet people where they are, without judgment, regardless of where they stand in life. That perspective has been a quiet but powerful force in my professional journey. In business, where we work with all kinds of vendors and clients, approaching every relationship with empathy and humility has helped us build partnerships that go far beyond transactions. People remember how you make them feel, and my mother knew that long before it became a business philosophy.

Perhaps the lesson closest to my heart is the one she lived every single day -- the dignity and strength of a woman who runs the entire household, often without recognition or applause. She taught me to see that contribution, to respect it deeply, and to show up as a partner in the home.

She believed that small acts of help build the strongest foundations -- and she was absolutely right. This Mother's Day, I celebrate her not just for what she taught me, but for who she is -- a woman whose quiet influence continues to guide every step I take.
 
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Havas India's Pritha Dasgupta on her mother's wisdom


This Mother's Day, we reached out to a select group of leaders and changemakers across the industry to celebrate the woman who shaped them first. We asked them to move beyond résumés and milestones and share one indelible lesson from their mother -- or a mother figure -- that continues to guide them in work, life, and the way they lead. In this special feature, Pritha Dasgupta, Chief Marketing... Officer, Havas India, offers an intimate glimpse into the quiet wisdom and strength that shaped her. Read on.

Some of my most enduring memories with my mother are from hot summer evenings on the terrace in Calcutta. The day's heat still rising from the floor, the sky slowly opening up above us. She would sit beside me and point to what looked, to me, like scattered dots. And then, with her fingers, she would begin to draw, tracing shapes, connecting stars, mapping out galaxies visible to the naked eye.

What stayed with me was not just what she showed, but how she made me see. Those quiet moments turned into long conversations that continue to this day about life beyond Earth, about perspective, about how small and yet how significant we are. It never felt like teaching. It felt like discovery.

That sense of curiosity carried into everything we shared. She introduced me to world cinema long before I understood the term, and taught me to appreciate storytelling beyond language and geography. Films that were layered, intelligent, and deeply human. Alongside that came graphic novels, literature, and articles that pushed me to think harder, look deeper, and shaped me as an individual.

At the same time, the most defining lessons she passed on were far more grounded. Honesty, strength, discipline, and humility.

I grew up watching her hold life together with quiet, unwavering strength. There was no spectacle, no declarations, just consistency, resilience, and an unshakeable sense of responsibility.

Honesty, in her world, was non negotiable. Not selective, not convenient, just absolute. It shaped how she lived, and in turn, how I learned to make decisions. In a professional world defined by complexity and ambiguity, that clarity has been my anchor.

Strength, I realised, is not about volume. It is about endurance, the ability to stay the course, absorb pressure, and still move forward with quiet dignity.

Discipline, if I had to define her in one word, would be it. Not imposed, not performative, but deeply internalised. The kind that does not wait for motivation or recognition. It simply shows up, every single day.

And humility, perhaps the most understated of them all. The ability to stay grounded regardless of circumstance, to listen more than you speak, and to let your actions carry more weight than your words.

Between those expansive conversations under the night sky and those grounded, everyday values, she gave me both perspective and structure. The ability to think beyond, and the strength to stay rooted.

To my mother - Ma, you defined the benchmark. I've been trying to meet it since.
 
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  • Probation will give you time to find if it's deserved confidence or toxic arrogance

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  • Confidence comes from ability and knowledge in the field. If you are afraid of strong personalities, it is your weakness as a manager. Hire best... talent and manage them well. Anyways, weak personalities may be obedient, but do not add much value to the organisation. This is the key to progress. more

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Student Interviews For A Job, But Before She Leaves, She Makes Sure The Person Who Interviewed Her Knows How Rude She Thinks He Was


Imagine interviewing for a job you don't necessarily care if you get or not. If the person interviewing you showed up late and seemed pretty rude, would you still be on your best behavior and try to make a good impression, or would you be completely honest about how you feel about their behavior?

In this story, one woman is in this exact situation, and she couldn't seem to stop herself from being... overly dramatic. Now, she's wondering if she really did go too far.

Let's read all about it.

Today, I (F25) assisted to a job interview that I wasn't actually looking for, but I was referred to the position because they needed someone with my abilities.

It's nothing fancy, just imparting classes in an institution that helps students to prepare for the evaluation that will allow them to enter the university.

I am still studying, but of course money and work experience always are welcomed, so I went and I was there at the agreed time.

The man supervising the test really bothered OP.

The man who was supposed to supervise the test for my admission arrived fifteen minutes late and made me wait for him ten minutes more without explanation, just rudely telling me (yelling at me since he was more than six feet apart from me) to wait for him downstairs.

He didn't even say good morning.

I was completely flabbergasted at his lack of manners, because while I understand he doesn't owe me anything, I value kindness and professionalism, and their absence makes me angry, I have to recognize it.

Also it felt like he was purposely humiliating me since he refused to walk up to me, and talked expecting me to come close to him, when he was the one arriving late and not even saying a proper greeting.

The interview actually seemed to go okay.

Well, resuming the story, while waiting for him I tried to calm down. I was literally about to leave the building and just not make the interview, but I didn't want to let my anger get the best of me.

So I patiently waited for him and didn't say anything bad, on the contrary, I tried to be agreeable enough that, despite his distant demeanor, he ended up smiling a couple times during our interactions.

At the end of the interview I had to complete a test about my knowledge so he left me alone in the room, and once I filled the form, I contacted him, but he was busy.

I was told to just leave the form in the room and leave, but I found that frankly awful and dehumanizing, so I decided to wait for him.

OP went a little over the top when it was time to leave.

Once he arrived, he tried to scold me for waiting for him, telling me that he had instructed for me to leave the form and leave.

So I said, slowly and smiling, that I believed that there were correct ways to do things, and one of them was if I was applying for a job, I had to at least give him the filled form in his hands and say goodbye.

He insisted in scolding me, but I said "no, this is totally voluntary, I was the one deciding to wait because I find it the right thing to do, since rituals, such as a goodbye, are the things that give meaning to our existence". And ceremoniously handed him the form.

I thanked him and walked to the door, and then I dramatically turned to him and said, still in a gentle voice, "by the way, greeting someone properly is also a way to give meaning to our existence", and I left...

OP knows that was cringe.

I swear to God sometimes I am just so cringe and extra, but for real, it poured out from my heart.

He said something I couldn't hear well, because I walked "confidently" away, but inside I was feeling mortified for doing something like that.

He could perfectly not submit my application, he could tear it apart if he wanted, but I am just so tired of playing dumb and as if respect didn't matter, basically selling myself and disrespecting what I think to be true just for a job.

OP is pretty sure this was the wrong way of handling the situation.

I am aware I am no one, I have no importance nor power, and yet something inside of me yells every day louder "I won't submit".

Again, I am aware of how dramatic I sound, and honestly I fear a little the pragmatic feedback, but I am totally surrendered to a better judgment than mine.

Sorry if this seems stupid, I am really troubled because of it right now. Should I control myself better? I shouldn't go around trying to teach lessons, right? 🙁

When you're interviewing, you do not correct the person interviewing you or try to put them in their place somehow. OP is definitely not getting that job.

Let's see how Reddit responded to this story.

Interviews work both ways.

Here's a warning for the future.

Here's another warning.

Another person thinks OP really messed up.

Her comments made the whole interview a waste of time.

If you liked that story, check out this post about an oblivious CEO who tells a web developer to "act his wage"... and it results in 30% of the workforce being laid off.
 
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  • Basic human dignity and respect is worth defending. Creeps like that get away with abusive behavior because no one checks them. Screw that

Grey matters: how Brad M. Johnson is flipping Hollywood's ageism script - Film Daily


Hollywood loves a prodigy. A wunderkind. A "30 under 30" list stuffed with people who still remember their college meal plan password. ✨

What Hollywood is less obsessed with? The writer who spent twenty years actually living life before opening Final Draft.

That's the gap Brad M. Johnson decided to attack head-on when he launched The Grey List in 2022.

The concept is brutally simple: spotlight... production-ready screenwriters over 40 who are being ignored by an industry addicted to youth branding.

And honestly? The more Johnson talks about it, the more ridiculous the existing system sounds.

"There are a lot of programs, fellowships, and lists that are incredibly valuable," Johnson explains, "but many of them are implicitly geared toward emerging writers."

Translation: Hollywood keeps acting like talent expires the second someone learns how to stretch before bed.

Johnson saw the contradiction immediately. Studios constantly claim they want grounded stories, emotionally mature characters, layered family dynamics, and authentic lived experience. Then they spend half their development energy hunting for writers young enough to think AOL Instant Messenger counts as historical fiction.

"What I kept seeing were writers over 40 doing some of the most nuanced, production-ready work out there," Johnson says, "but they weren't being surfaced in the same way."

That frustration became a platform.

Now entering its fourth year, The Grey List has evolved into something far more serious than a novelty industry experiment. The 2026 edition features forty scripts selected from more than 400 submissions, all curated through a blind-reading process designed to prioritize the work over the résumé.

The Grey List isn't built around pity. It's built around the increasingly radical belief that experienced writers might actually know what they're doing.

The entertainment industry has always fetishized youth, but the modern version feels especially aggressive.

Everybody wants "fresh voices." Everybody wants "emerging talent." Everybody wants "new perspectives." Meanwhile half the executives handing out those buzzwords are panic-Googling what Gen Alpha slang means before every meeting.

Johnson is diplomatic about it, but you can hear the frustration underneath.

"The decision to focus on writers over 40 really comes down to perspective and visibility," he says.

He points out the obvious issue: the industry has spent years quietly equating "emerging" with "young."

But careers are messy now. People switch industries. They raise families. They survive recessions. They spend years developing their voice. Some writers don't even discover screenwriting seriously until middle age.

And frankly? Some people are just better after they've lived a little.

"By the time someone is over 40, they often bring a level of lived experience that shows up in the work," Johnson explains. "More specificity, more emotional depth, and stories that feel grounded in a way that aligns with what actually gets made."

That line lands because it cuts directly through Hollywood mythology.

The industry loves pretending great storytelling appears through pure youthful genius. But filmmaking is collaborative chaos. Production-ready writing often comes from people who understand disappointment, compromise, work, relationships, exhaustion, grief, parenting, bureaucracy, mortgages, divorce, failure, reinvention, and regret.

You know. Human life.

The irony is that executives constantly complain about shallow writing while structurally rewarding writers who've had the least time to accumulate experience.

Johnson stops short of torching the system outright, but he doesn't really need to.

"It's definitely real," he says about ageism in Hollywood. "But it's also nuanced and not always overt or intentional."

That's the insidious part.

Nobody says, "Sorry, you're too old." Instead, opportunity pipelines quietly tilt younger until the outcome becomes obvious.

"You may not see people explicitly say, 'We're not interested in writers over 40,'" Johnson notes, "but when so many fellowships, labs, and the 'emerging writer' pipelines skew younger, it creates an ecosystem where opportunity is weighted in that direction."

Exactly.

Hollywood created an unofficial expiration date without technically admitting it exists.

One of the smartest things Johnson dismantles is the bizarre assumption that talent follows a strict biological timeline.

There's this persistent industry idea that if someone hasn't broken through by a certain age, they probably never will.

Johnson clearly thinks that logic is nonsense.

"There's also an assumption that if someone hasn't 'broken through' by a certain age, it must be because the talent just isn't there," he says. "But that ignores how nonlinear our lives can be."

Nonlinear is putting it politely.

Modern careers look like abstract art now. People bounce between industries, cities, financial disasters, caregiving roles, burnout cycles, and existential crises before finding stable creative footing.

Somebody who spent fifteen years as a paramedic before writing a medical thriller is not "behind." They're carrying material most screenwriters would kill for.

Johnson understands that.

"People come to writing at different times, for different reasons, and with different life or career backgrounds," he says. "To me, that doesn't make the work any less viable, it often makes it stronger."

That philosophy runs through The Grey List's entire identity.

Its slogan -- "creativity has no expiration date" -- could've easily felt corny in lesser hands. Instead, it lands because the platform backs it up with actual industry traction.

Writers featured on The Grey List have secured representation, landed options, entered active development, and built meaningful professional momentum.

That matters.

Because Hollywood respects results more than speeches.

The 2026 Grey List selection process involved reviewing more than 400 screenplays.

Which, honestly, should qualify Johnson for some kind of endurance medal.

Anybody who's worked in development knows script reading can become spiritually destabilizing at scale. Somewhere around screenplay number 173, every character introduction starts feeling like a hostage situation.

But Johnson insists the strongest submissions separated themselves quickly.

"It really came down to clarity and execution," he says. "A lot of scripts have strong ideas, but the ones that rose to the top knew exactly what story they were trying to tell."

That sounds simple. It absolutely isn't.

Most weak scripts collapse because they're trying to be ten movies simultaneously. Tone shifts. Character motivations wobble. Themes mutate halfway through. Everybody starts monologuing like rejected TED Talk speakers.

Johnson kept returning to one phrase during the interview: production-ready.

That distinction matters because Hollywood is drowning in scripts with decent concepts and disastrous execution.

"For me, 'production-ready' comes down to clarity, execution, and intent," he explains. "It knows exactly what it is."

Then comes the producer brain.

"You want producers, directors, investors, whomever, to clearly see the path from page to screen."

That's where Johnson's filmmaking background gives The Grey List credibility.

He isn't evaluating scripts purely as literature. He's evaluating them as potential productions.

"Can this be cast? Can it be produced? Does it have a clear audience?" he asks.

A shocking number of screenwriters never ask themselves those questions.

One recurring theme throughout Johnson's answers is specificity.

Specificity in character. Specificity in emotional truth. Specificity in lived experience.

"It really all boils down to the fact that lived experience brings specificity," he says. "And specificity is what makes stories feel real."

That line could practically be engraved onto the walls of every writers room in Los Angeles.

Audiences know when something feels emotionally counterfeit. They may not articulate it technically, but they feel it instantly.

Johnson believes older writers often bring an earned authenticity younger writers simply haven't had enough time to accumulate yet.

That doesn't mean younger writers lack talent. Johnson is careful to avoid turning the conversation into generational warfare. But he repeatedly returns to the idea that deeper life experience often creates deeper storytelling.

And honestly? He's right.

Some emotions can't be convincingly approximated through research alone.

Loss. Divorce. Midlife regret. Reinvention. Career collapse. Parenting. Addiction recovery. Caregiving. Financial ruin. Long-term love. Estrangement. Mortality.

You can fake the vocabulary of those experiences. You usually can't fake the texture.

Johnson noticed that texture all over the 2026 submissions.

"There's a strong throughline of characters dealing with loss, regret, second chances, or being forced to confront something from their past," he says.

Even high-concept stories remained emotionally personal.

Johnson's approach to diversity is refreshingly unscripted.

A lot of organizations talk about inclusion like they're reading directly from an HR compliance seminar. The language becomes bloodless almost immediately.

Johnson sounds more practical.

"The Grey List is built around the idea of amplifying underrepresented voices," he says.

But he's equally clear that quality remains the central metric.

Audiences can sense when curation becomes performative checkbox management. But they can also sense when gatekeeping quietly preserves the same narrow perspectives over and over again.

Johnson seems aware of both traps.

The resulting Grey List slate spans race, gender identity, sexual orientation, genre, and career stage while maintaining a strong focus on execution.

And because submissions are read blind, writers aren't being filtered through industry bias before the script even gets considered.

That matters more than people realize.

Hollywood constantly claims it wants "new voices," but decision-makers are still heavily influenced by résumés, representation, referrals, and existing networks.

Blind evaluation forces the writing itself to carry the weight.

People stop caring about the mission statement and start asking one brutal question:

Does this actually work?

For The Grey List, the answer increasingly appears to be yes.

Johnson points to writer Eric Anderson as a major recent success story. Anderson secured representation and moved a project into production partly due to exposure from the list.

More broadly, Grey List writers have signed with reps, secured options, entered development pipelines, and opened industry doors previously unavailable to them.

Johnson seems especially proud of the cumulative effect rather than one flashy overnight success.

"The success stories aren't just about one big moment," he says. "They're about doors opening that weren't open before."

That's probably the healthier way to measure industry impact anyway.

Hollywood loves selling overnight success mythology because it's cleaner narratively. But most careers are built through incremental credibility accumulation.

A meeting here. An introduction there. A manager request. A rewrite opportunity. A staffing conversation.

The Grey List is slowly embedding older writers back into those pipelines.

And apparently the industry is paying attention.

"We're seeing more industry folks actively engage with the list, read the material, and take meetings," Johnson says.

Not a revolution. But movement.

In Hollywood terms, that's practically seismic activity.

One of Johnson's strongest points arrives when discussing what experienced writers actually contribute professionally.

Because this isn't just about better scripts. It's about better collaborators.

"More experienced writers often have a strong sense of character, theme, and structure," he says.

Then comes the part executives probably understand immediately:

"There's also typically a professionalism that comes from life and work experience."

Hollywood quietly runs on emotional stamina.

Can this person take notes without imploding? Can they collaborate? Can they survive production chaos? Can they rewrite under pressure? Can they handle executives, actors, producers, deadlines, politics, and exhaustion simultaneously?

Older writers often arrive with those muscles already built.

That doesn't mean younger writers can't do it. Plenty absolutely can. Johnson repeatedly emphasizes that point. But maturity changes how people navigate creative environments.

Especially environments as unstable as film and television production.

What makes Johnson effective is that he doesn't sound bitter.

He sounds strategic.

A lesser version of this initiative could've easily turned into a resentful anti-Hollywood rant. Instead, Johnson positions The Grey List as an expansion mechanism.

Because industries rarely respond well to moral scolding. They respond to infrastructure.

Johnson is building infrastructure.

Trusted curation. Blind evaluations. Industry relationships. Development pathways. Professional credibility. Partnerships like PageCraft.

And Johnson knows visibility alone isn't enough anymore.

"Our focus is on building more direct pathways from the list to opportunities," he says.

The deeper you get into Johnson's philosophy, the more obvious it becomes that The Grey List emerged from direct observation rather than abstract activism.

He kept seeing exceptional writers being ignored because they didn't fit the industry's preferred timeline narrative.

Five years from now, Johnson hopes The Grey List becomes firmly embedded into how Hollywood discovers writers.

Honestly? That no longer sounds unrealistic.

Because once executives start consistently finding strong material somewhere, they keep going back.

Hollywood pretends to care about trends. What it really cares about is reliable sourcing.

If The Grey List continues surfacing market-ready scripts while proving older writers remain commercially viable, the industry won't embrace the platform out of charity.

It'll embrace it because ignoring good material is expensive.

And maybe that's the funniest part of this entire story.

Hollywood spent years acting like experienced writers were somehow creatively expired while simultaneously rebooting every intellectual property created before 1997.
 
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Biggest Résumé Mistakes and How You Can Avoid Them


Going into my first year of college, I had no clue what a résumé even was. I had experience, but none of my previous jobs required me to submit a résumé when I applied. So, when my on-campus job asked for one, I scrambled to throw it together. I asked everyone I could for their help. With a horrible résumé (and a ton of grace given by my boss), I was hired.

Now, as a student assistant in the... Journalism Dean's Office, I review résumés daily. This is a list of the biggest mistakes I see in the office and how you can fix them to improve your résumé and chances of getting hired.

Contact information

Contact information is located beneath your name at the top of your résumé. This section includes your phone number, email address, LinkedIn, city and state and portfolio (if you have one).

More than one email address

The first mistake I see in the contact information section is including more than one email address. A lot of college students think it's best to list both their student email and personal email address to give the employer more options to choose from. While this is a good idea in theory, it can be confusing for employers to figure out the best way to contact you. Instead, list the email address that you check most frequently, whether that's personal or school. If you're a graduating student, you should list your personal email and make a habit of checking it regularly.

Not including LinkedIn

If you do not have a LinkedIn profile in college, you're doing it wrong. LinkedIn is an extremely important form of social media used for networking with people in your industry. Although it is understandable not to have a LinkedIn profile your first year of college, it is highly recommended that you create one before the beginning of your sophomore year.

The next step is putting the hyperlink to your profile in your contact section. Don't just link it to the word "LinkedIn;" copy and paste the full URL to ensure your profile can still be accessed easily if your resume were to be printed.

Including a picture

In the United States, federal law prohibits discrimination based on race, gender, ethnicity, age, etc. Including a picture on your résumé may trigger unconscious bias from your employer and prevent you from even making it to the interview stage. Some employers will even immediately reject résumés with photos to avoid potential discrimination accusations.

Education

This section is the most important information on your résumé as a college student. It includes your college, major, degree, GPA (if a 3.0 or above), expected graduation and minors or certificates, if applicable.

Getting your degree and major name wrong

This might be surprising to some, but in fact, many students get their degree and major wrong! All colleges have different degrees and major names, so it's important to check your school website for the official name of your degree.

High school information after your first year

As unfortunate as it is, employers don't care what you did in high school if you're a college student. It is much more important what you are doing in college, so high school should be completely omitted.

The exception to this rule is first-year college students. This is because until the end of the first semester of college, first-years do not have a GPA or much experience in their degree. That being said, it is generally recommended to remove your high school information from your education section after the first semester of freshman year, and definitely before the beginning of your sophomore year.

Experience

Your experience is the second most important information on your résumé. This section includes your past and present work experience with two to four detailed bullet points describing the work you did in each position, as well as the location and time frame you worked.

Missing detail

An important thing to remember when writing the bullet points for your experiences is to add detail! Employers don't just want to know what you did; they want to know how you did it. Instead of saying, "Wrote articles for Her Campus." You should say, "Wrote 6+ articles for Her Campus over topics of self-love, entertainment, culture, etc." This way of writing gives your employer a better understanding of your capabilities while quantifying your work and adding credibility.

Not including unpaid experiences

Unpaid experiences make up a large portion of a college student's experience. From internships to organizations, college students gain lots of unpaid experience. And many students think that because they did not earn a paycheck for these experiences, they cannot include them on their resume. That is not true. Employers care much more about the knowledge you have gained and experience you have in the position, rather than the amount of paid work you have.

Skills

Your skills section should always be the last section of your résumé. This section is a simple list of skills that you haven't expressed in your experience sections.

Soft skills

Your skills section should be solely hard skills. Things like teamwork, leadership and other soft skills are good to have, but they can easily be demonstrated in the bullet points of your experience section or in an interview.

Instead, include hard skills relevant to the job you are applying for. If you're a journalism major, your skills section should include things like AP style writing, video editing and photojournalism. You can also include programs that you are familiar with. Think Microsoft 360, Canva or Adobe. These kinds of skills will give your employer more information about the skills you possess.

Formatting

Although not a section, formatting your résumé the correct way is extremely important to the hiring process.

Using templates

As tempting as a super cute Canva or Word template is, do not give in! Most templates are formatted in a two-column style that doesn't scan well with applicant tracking systems (ATS). This means that your résumé could be thrown out before an actual human even takes a look at it. Instead, make your own one-column template that you can use over and over again.

Typos

This might sound like an obvious one, but it is so important to triple-check your résumé for spelling and grammar errors. Even one typo can get your résumé thrown in the trash. Employers tend to see typos as a liability later down the line. If you're not checking your résumé for misspellings, it signals to your employer that you'll make that mistake with important work as well.

More than one page

Résumés are recommended to be only one page in order to not overload your employer with unnecessary information. The average amount of time an employer spends reviewing a résumé is six to seven seconds. A résumé that is short and easy to read will allow your employer to focus less on trying to decipher your résumé and more on the skills you could bring to their team.

The most important thing to remember is that your résumé is a living document. This means that you can (and should) constantly be updating it. You should change your résumé for every application you submit.

Résumés are a hard skill to master, but once you understand the reasoning behind all the factors, it will all click and you'll have no trouble creating and editing your résumé.
 
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Channel Factory's Prashant Ray on his Mother's wisdom


This Mother's Day, we reached out to a select group of leaders and changemakers from across the industry to celebrate the woman who shaped them first. We asked them to move beyond résumés and milestones, and share one indelible lesson from their mother -- or a mother figure -- that continues to guide them in work, in life, and in the way they lead. In this special feature, Prashant Ray, Director... of Marketing - India, SEA, MENAT & Japan, Channel Factory, offers an intimate glimpse into the quiet wisdom and strength that built them. Read on.

My mother never went to school to learn management, finance, or leadership -- yet she has been my greatest teacher in all three. Growing up in a small town, she built a world around our family with nothing but quiet determination.

For 42 years, she stood beside my father -- not just as a partner, but as the foundation he stood on. She managed a household, built assets for the future, held emotions together when everything felt uncertain, and kept the family whole, all without ever asking to be acknowledged for it.

When I moved away from home 22 years ago, there were long stretches where I lost touch, even with my father. She was always the bridge. She never made it a moment of conflict or complaint. She simply kept the thread intact, from her side, in silence.

The one lesson that stays with me, in life and in how I approach my work, is this: real impact doesn't need an audience. She never waited for recognition to do what mattered. She just did it, consistently, selflessly, and with complete ownership.

In a world that constantly measures success by visibility, she taught me that the most enduring things, trust, stability, relationships, legacy -- are built quietly, over years, without fanfare.

I carry that with me every day.
 
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Birla Open Minds Education's Nirvaan Birla on his Mother's wisdom


This Mother's Day, we reached out to a select group of leaders and changemakers from across the industry to celebrate the woman who shaped them first. We asked them to move beyond résumés and milestones, and share one indelible lesson from their mother -- or a mother figure -- that continues to guide them in work, in life, and in the way they lead. In this special feature, Nirvaan Birla, Founder... and Managing Director of Birla Open Minds Education Ltd., offers an intimate glimpse into the quiet wisdom and strength that built them. Read on.

So much of who we are is shaped over time by the things we watch our mothers do, the quiet strength they carry, the way they put everyone before themselves, and the love they give so effortlessly every single day.

One of the biggest lessons I've learned from my mother is the importance of showing up with kindness, resilience, and grace, no matter what life looks like. Through every situation, she has taught me that strength is not always loud; sometimes it's found in patience, consistency, and the ability to keep going even on difficult days.

That lesson continues to guide me in both my personal and professional life. Whether it's handling challenges, supporting the people around me, or staying grounded through success and setbacks, I find myself carrying forward the values I learned simply by watching her.

As I grow older, I appreciate more and more the countless sacrifices, the unconditional support, and the positivity she has brought into our lives. So much of who I am today comes from her, and I will always be grateful for that.
 
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